Sample Itinerary - Summer-Holiday-Courses-in-Northern-Italy - Art History Abroad
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"I see the trip as a rite of passage; a fundamental part of my education. I returned wiser...[and feel much more confident going into an arts degree] ...with such an understanding and a love for the arts behind me. I have also made friends I will keep for life. The experience was unforgettable. I LOVED IT."
Rebecca Udy, Spring 2003
Sample Itinerary
| DAY 1 | Arrive in Venice - Introduction and orientation | |
| DAY 2 | AM | Venetian History; Maritime power and the Republican system and how the city is possible. Piazza San Marco, the Doge's Palace (outside) and the Basilica of San Marco. |
| PM | Venetian Painting at the Accademia; From Gothic altarpiece to Grand Tourist souvenir. Veneziano, Bellini, Cima, Mantegna, Giorgione, Lotto, Titian, Tintoretto, Veronese, Canaletto and Tiepolo. | |
| DAY 3 | AM | Andrea Palladio -the first architect of international influence; Architectural language, counter reformation and church planning. Churches of San Giorgio Maggiore and Il Redentore. |
| PM | Landmarks in 20th Century Painting. The Private Collection of Peggy Guggenheim; Picasso, Braque, Magritte, Dali, Ernst, Miro, Pollock. | |
| DAY 4 | AM | The Power of Paint; Status of the artist, the cult of Mary and the Scuola sytem. Tintoretto and Titian at the Scuola di San Rocco and the Frari. |
| PM | Free Afternoon | |
| DAY 5 | AM | Veronese's Complete project of San Sebastiano and Longhena legacy to Palladio at Santa Maria della Salute |
| PM | Train to Florence, Stopping off en route at Padua to see Giotto's frescoe cycle in the Arena chapel | |
| DAY 6 | AM | Florentine History; the state, economic power and the cradle of the Renaissance. The Palazzo della Signoria (outside) the Piazza Signoria, Orsanmichele and the Baptistry. |
| PM | The power of private patronage. Maths, space and art. The Brancacci Chapel, Santa Maria Novella, Palazzi Ruccellai and Strozzi. | |
| DAY 7 | AM | Free Morning |
| PM | The progression of Florentine painting and Humanism at the Uffizi. Vasari, Giotto, Simone Martini, Gentile da Fabriano, Uccello, Piero della Francesca, Massacio, Filippo Lippi, Botticelli, Leonardo, Bronzino, Michelangelo. | |
| DAY 8 | AM | Renaissance Sculpture; Narrative, the Paragone, techniques and Competition. Donatello, Brunelleschi, Ghiberti, Verrochio, Pollaiolo, Michelangelo, Ammanatti and Giambologna at the Bargello. |
| PM | The Mendicant Orders - the Franciscans and Medieval evangelism; Giotto and Donatello at Santa Croce. Perfect architecture, Brunelleschi and the Pazzi Chapel. | |
| DAY 9 | AM | The Medici Family; Politics, Philosophy and Economics. Palazzo Medici and the Gozzoli Chapel, the Old Sacristry at San Lorenzo and Beato Angelico at San Marco. |
| PM | Pure Architecture and familial representation; Brunelleschi's Santo Spirito, Santi Apostoli and Santa Trinita | |
| DAY 10 | AM | A Modern Genius - Michelangelo; State and Private image, Developments in Anatomical exploration and Mannerist architecture. David, the New Sacristry and the Laurentian Library. |
| PM | Travel to Rome | |
| DAY 11 | The Legacy of Classical Rome; republicanism, law, legalised savagery, religion and engineering. The Forum, Collosseum and the Pantheon | |
| DAY 12 | AM | Survival of faith in banned times; legalised church, constantine, barbarian invasions and martydom. S. Agnese, Sta Costanza and S. Quattro Fontane |
| PM | Stone into Flesh; The Galleria Borghese with Bernini sculpture, Caravaggio canvases, Titian, Raphael and Domenichino. | |
| DAY 13 | Temporal Power of the Church; early reformation, counter reformation and public relations. St Peters and the Vatican Museum. Michelangelo, Bramante, Raphael and Bernini. | |
| DAY 14 | AM | Devil and/or Genius; Caravaggio at San Luigi dei Francesi, San Agostino and Santa Maria del Popolo. |
| PM | Free Afternoon | |
| DAY 15 | AM | Papal Foundation and Playful Villa; Peter's Martydom at the tempietto and Raphael and Peruzzi at the Villa Farnesina |
| PM | Travel to London |