The museum as seen from the Neva river.

A couple of weeks ago, I was lucky enough to have the opportunity to travel St. Petersburg, Russia for a long weekend. Whilst there I took a trip, two trips in fact, to The Hermitage Museum, and it was quite frankly the most astonishing art gallery and museum experience I’ve ever had. This revelation comes as a result of numerous factors, however the most obvious of these is the sheer size of the place, and the volume of art contained within it. A quick search on the ever reliable Google tells me that the Hermitage is the 4th largest museum in the world in terms of area. I’ve never been to the Smithsonian, the Acropolis Museum, or the Louvre, so I can safely say it is the biggest museum I’ve ever visited. Honestly, it makes gargantuan sites like the Vatican Museum, the Uffizi, the British Museum and others feel very small indeed. As well as the size of the museum, what is equally as astonishing is the sheer variety of art and artefacts on display. Objects range from paintings by Rembrandt and Leonardo, to Japanese Samurai armour and Egyptian sarcophagi, right back to classical sculpture from Ancient Rome and Greece.

'The Sacrifice of Isaac' by Rembrandt (1635)

One issue I have with the museum is that it doesn’t seem, to my admittedly amateurish eyes, to be particularly well curated. Granted artworks are grouped by nation and period, but beyond that, it seems that they’ve all just been hung with little regard for creating a real flow within the gallery. I think this may be something to do with the vast size of the collection held within the Hermitage. To give an example, part of my second afternoon in the museum was spent in the ‘French Painting of the 20th century” section, which is unfortunately tucked away in a stuffy corner, in what is essentially the attic of the Winter Palace. Housed within this are innumerate works by the likes of Cezanne, Matisse and Derain, which are hung with what appears to be little concern towards style, period etc.

Henri Matisse's 'The Dance'. One of numerous works of his held in the museum.

My family and I spent nearly two days in the Hermitage complex and I think we saw most of what was on offer, but I’m certain that I missed a lot, and I feel that I was only really able to see most of the art superficially as there is just so much to look at, and to be to totally honest, one needs to sift through a lot of very average paintings before finding the good stuff.

Canova's 'Psyche Revived by Cupid's Kiss'

To sum up, I must say that the Hermitage Museum complex holds one of, if not the most impressive collection, of paintings, sculptures and antiquities I’ve ever seen. However it is let down by poor curation, and I think this is a real shame. That said, if you’re a lover of art (and if you’re reading this blog, I assume you are) then I’d say that if you’re ever given the chance to go to St. Petersburg, you should bite off the hand of whomever afforded you the opportunity. Not just the Hermitage, but the entire city, is quite spectacular!

For more information about the Hermitage museum, visit http://www.hermitagemuseum.org/

One response to “The Hermitage, St. Petersburg: Too big for it’s own good?”

  1. George says:

    I think this point can be made about all the great “encyclopedic” museums like the Louvre, National Gallery and the ever-expanding Metropolitan in NY, which seems to be buying all the quality Old Masters left on the open market. The truth is that there too much good art which will never be seen by most people because of space and time constraints, these collection being effectively dedicated to art experts(lovers) & tourists (the bulk of the population of the respective cities don’t visit museum anyway). The solution to break up these great collections to make them accessible to a greater number of people draws with it a number of risk, as a lot of visitors come into these museums because of their names.

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